"Performance is Everything"
Dette enkle udtryk er essensen for Audix.
Når en musiker eller lydtekniker anvender en Audix mikrofon,
er den en del af musikken.
Audix er en af de førende producenter af mikrofonløsninger til det professionelle marked. Det amerikanske firma blev grundlagt i 1984, og har siden udviklet og produceret mikrofoner af højeste kvalitet på egne fabrikker i USA. Dette gør at Audix løbende kan kontrollere, udvikle og implementere de nyeste og mest avancerede løsninger indenfor mikrofoner. Audix er verdenskendt for deres produkter – så som OM- og D-serien, VX5, i5, SCX25-A samt miniaturemikrofoner.
Audix er det foretrukne mærke hos kendte musikere som
Alanis Morisette, Crosby, Stills & Nash, Willie Nelson, Bonnie Raitt, Katie Melua, Merle Haggard, MEW, Pearl Jam, Red Hot Chili Peppers, Ryan Adams, Suede, The Bangles, Tower Of Power og mange, mange flere.
Audix – alt hvad den professionelle musiker
eller lydtekniker kan ønske sig.
Fusion Series
F2 Dynamic Tom Kr. 820,-
F5 Dynamic Snare Kr. 820,-
F6 Dynamic Stortromme Kr. 1.300,-
F9 Condensator
HiHat,Cym., Overhead Kr. 1.505,-
drum packs
FP 4 Kr.: 2.295,-
1 x Durable road case
1 x F5 Snare/Tom mic.
2 x F-2 Tom mic.
1 x F-6 kick drum mic.
FP 5 Kr.: 3.095,-
1 x Durable road case
1 x F5 Snare/Tom mic.
3 x F-2 Tom mic.
1 x F-6 kick drum mic.
FP 7 Kr.: 5.465,-
1 x Durable road case
1 x F5 Snare/Tom mic.
3 x F-2 Tom mic.
1 x F-6 kick drum mic.
2 x F-9 overhead mic
Professional Serie
Aluminum road case
1 x i-5 snare mic
1 x D-6 kick mic
2 x SCX1-c overhead mic.
1 x DVICE rim mount with MC1 mic. clip
3 x DCLIP mic. clips
2 x WS81C windscreens
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-4 floor tom mic
1 x D-6 kick mic
4 x DVICE (gooseneck clip)
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-6 kick mic
1 x D-4 floor tom mic
2 x ADX-51 - condenser (overhead) mic
4 x DVICE (gooseneck clip)
DP-Elite 8 Kr.: 21.370,-
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-6 kick mic
1 x D-4 floor tom mic
2 x SCX1-c overhead mic
1 x SCX1-hc hi-hat mic
4 x DVICE (gooseneck clip)
snare
Kr.: 965,-
Snare
Kr.: 1.169,-
RACK TOMS, CONGAS, FLOOR TOMS, GUITAR CABS, SAXOPHONE
Considered to be the ultimate tom mic, the D-2 is designed to capture
the warmth and punch of instruments with upper mid bass. The D-2
is the perfect combination of attack and decay and can be
successfully used with very little or no gating.
Kr.: 1.595,-
FLOOR TOMS, KICK DRUM, BASS CABS, DJEMBE, CAJON,
PIANO, SAX, CLARINET, TROMBONE, LESLIE BOTTOM
The D-4 utilitzes an innovative capsule design that enables it to
capture full range instruments as well as instruments with
extended frequencies below 100 Hz. In fact, the D-4 extends
down below 40Hz, a remarkable feat for a microphone of this
size and versatility. Withits great low end response, SPL
handling, clarity and detail, the D-4 is the most versatile
of all the D-series microphones.
Kr.: 1.865,-
KICK DRUM
The D-6 will impress anyone looking for a huge, clean, and undistorted kick drum
sound. The D-6 offers a combination of ground-shaking lows along with clarity and
attack. Stylishly machined by Audix from a solid bar of aircraft aluminum, the D-6 has a
frequency response of 30 Hz - 15 kHz and a cardioid pick-up pattern. The D-6 is
designed to sound good in any position and it is not dependent on finding the “sweet
spot” of the drum. The capsule for the D-6 features the same legendary VLM technology
that has made the D series percussion and instrument microphones the number one
choice for today's live sound stages and recording studios.
"The D-6 provides the best kick
drum sound in the business."
- Anthony Roberts, monitor engineer, Tower of Power
"I used to mess around with
trying to get the perfect kick
drum sound. Now, with the D-6,
it’s just easy."
-Karrie Keyes, monitor engineer, Pearl Jam
Kr.:1.695,-
Cymbals overheads, percussion, bells, hi-hat
PRE-POLARIZED CONDENSER.
The ADX-51 is a pre-polarized condenser microphone designed to handle a wide variety of live,
studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth
uniform response over a frequency range of 40-20k Hz, the ADX-51 is precision machined from
solid brass with a low reflective black e-coat finish.The ADX-51 is designed with low noise
electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off.
The ADX-51 is road-worthy and capable of handling high sound pressure levels of 142dB.
Applications include:
• Kit overheads, percussion bells, cymbals, hi-hat, goodie table
• Guitar, piano, saxophone, orchestra (zone miking)
• Group vocals: ADX-51 may be used as a hanging mic or on a stand to pick up group vocals
for ensemble, choirs or plays. Two mics may be positioned overhead or in front of the group,
at a distance of 4-6 feet apart.
Kr.: 5.288,-
HI-HAT
IDEAL FOR ACOUSTIC INSTRUMENTS, OVERHEADS, CHOIR
The SCX-1 is a high quality transformerless studio condenser
microphone that has been proven to have exceptional performance
value in live sound and studio applications. The SCX-1 is available with a variety
of interchangeable capsules: cardioid, hypercardioid, and omni-directional.
A true condenser requiring phantom power of 48 - 52 Volts, the SCX-1 is highly
sensitive as an overhead or room ambient microphone and will provide audio detail
beyond your expectations.
weapon on drum overheads and
hi-hat for many years."
Paul Rogers, front of house, George Strait