AUDIX

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DP Series

drum packs


Fusion 7 Kr.: 4.495,-
PACKAGED SET OF 5 DRUM MICS
& 2 OVERHEADS

1 x Durable road case
3 x F-10 snare / tom mic
1 x F-12 floor tom mic
1 x F-14 kick drum mic
2 x F-15 overhead mic plus 2 clips


DP-4a Kr.: 5.995,-
PACKAGED SET OF 4 DRUM MICS
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-4 kick / floor tom mic
4 x D-Vice (gooseneck clip


DP-5a
Kr.: 7.895,-
PACKAGED SET OF 5 DRUM MICS
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-4 floor tom mic
1 x D-6 kick mic
4 x D-Vice (gooseneck clip)



DP-7 Kr.: 11.995,-
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PACKAGED SET OF 7 DRUM MICS

Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-6 kick mic
1 x D-4 floor tom mic
2 x ADX-51 - condenser (overhead) mic
4 x D-Vice (gooseneck clip)


DP-Elite 8 Kr.: 24.995,-
PACKAGED SET OF 7 DRUM MICS
Aluminum road case
1 x i-5 snare mic
2 x D-2 tom mic
1 x D-6 kick mic
1 x D-4 floor tom mic
2 x SCX1-c overhead mic
1 x SCX1-hc hi-hat mic
4 x D-Vice (gooseneck clip)



D-2 Kr.: 1.395,-

RACK TOMS, CONGAS, FLOOR TOMS, GUITAR CABS, SAXOPHONE
Considered to be the ultimate tom mic, the D-2 is designed to capture
the warmth and punch of instruments with upper mid bass. The D-2
is the perfect combination of attack and decay and can be
successfully used with very little or no gating.



D-4
Kr.: 1.995,-

FLOOR TOMS, KICK DRUM, BASS CABS, DJEMBE, CAJON,
PIANO, SAX, CLARINET, TROMBONE, LESLIE BOTTOM

The D-4 utilitzes an innovative capsule design that enables it to
capture full range instruments as well as instruments with
extended frequencies below 100 Hz. In fact, the D-4 extends
down below 40Hz, a remarkable feat for a microphone of this
size and versatility. Withits great low end response, SPL
handling, clarity and detail, the D-4 is the most versatile
of all the D-series microphones.




D-6
Kr.: 2.295,-

KICK DRUM
The D-6 will impress anyone looking for a huge, clean, and undistorted kick drum
sound. The D-6 offers a combination of ground-shaking lows along with clarity and
attack. Stylishly machined by Audix from a solid bar of aircraft aluminum, the D-6 has a
frequency response of 30 Hz - 15 kHz and a cardioid pick-up pattern. The D-6 is
designed to sound good in any position and it is not dependent on finding the “sweet
spot” of the drum. The capsule for the D-6 features the same legendary VLM technology
that has made the D series percussion and instrument microphones the number one
choice for today's live sound stages and recording studios.

"The D-6 provides the best kick
drum sound in the business."

- Anthony Roberts, monitor engineer, Tower of Power


"I used to mess around with
trying to get the perfect kick
drum sound. Now, with the D-6,

it’s just easy."
-Karrie Keyes, monitor engineer, Pearl Jam





ADX-51 Kr.:1.995,-

Kit overheads, percussion bells, cymbals, hi-hat
PRE-POLARIZED CONDENSER.
The ADX-51 is a pre-polarized condenser microphone designed to handle a wide variety of live,
studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth
uniform response over a frequency range of 40-20k Hz, the ADX-51 is precision machined from
solid brass with a low reflective black e-coat finish.The ADX-51 is designed with low noise
electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off.
The ADX-51 is road-worthy and capable of handling high sound pressure levels of 142dB.
Applications include:
• Kit overheads, percussion bells, cymbals, hi-hat, goodie table
• Guitar, piano, saxophone, orchestra (zone miking)
• Group vocals: ADX-51 may be used as a hanging mic or on a stand to pick up group vocals
for ensemble, choirs or plays. Two mics may be positioned overhead or in front of the group,
at a distance of 4-6 feet apart.




SCX-1 Kr.: 5.795,-
HI-HAT

IDEAL FOR ACOUSTIC INSTRUMENTS, OVERHEADS, CHOIR
The SCX-1 is a high quality transformerless studio condenser
microphone that has been proven to have exceptional performance
value in live sound and studio applications. The SCX-1 is available with a variety
of interchangeable capsules: cardioid, hypercardioid, and omni-directional.
A true condenser requiring phantom power of 48 - 52 Volts, the SCX-1 is highly
sensitive as an overhead or room ambient microphone and will provide audio detail
beyond your expectations.


"The SCX-1 has been my secret
weapon on drum overheads and
hi-hat for many years."

Paul Rogers, front of house, George Strait